Clik here to view.
There Will Be Blood (2007, Paul Thomas Anderson)
There Will Be Blood. I don’t know where to start. Daniel Day-Lewis’s performance is biggest thing in the film–it’s the film, after all. Without Day-Lewis, the film’s not possible. Director Anderson...
View ArticleClik here to view.
There Will Be Blood (2007, Paul Thomas Anderson)
There Will Be Blood. I don’t know where to start. Daniel Day-Lewis’s performance is biggest thing in the film–it’s the film, after all. Without Day-Lewis, the film’s not possible. Director Anderson...
View ArticleClik here to view.
There Will Be Blood (2007, Paul Thomas Anderson)
There Will Be Blood. I don’t know where to start. Daniel Day-Lewis’s performance is biggest thing in the film–it’s the film, after all. Without Day-Lewis, the film’s not possible. Director Anderson...
View ArticleClik here to view.
There Will Be Blood (2007, Paul Thomas Anderson)
There Will Be Blood. I don’t know where to start. Daniel Day-Lewis’s performance is biggest thing in the film–it’s the film, after all. Without Day-Lewis, the film’s not possible. Director Anderson...
View ArticleClik here to view.
The Master (2012, Paul Thomas Anderson)
It would be wrong to call The Master a self-indulgent masterpiece, as it’s not a masterpiece (except maybe for Mihai Malaimare Jr.’s photography and Mark Bridges’s costumes… oh, and the sound design)...
View ArticleClik here to view.
No Escape (1994, Martin Campbell)
No Escape opens with this lovely piece of music from composer Graeme Revell. It’s sort of the film’s theme music and it doesn’t fit at all with the action or sci-fi elements integral to the plot. The...
View ArticleClik here to view.
F/X2 (1991, Richard Franklin)
F/X2 is very affable. It’s so affable, it encourages one to overlook its major shortcomings. First off, it’s a PG sequel to an R-rated original, which cuts down on the grit (though rated PG-13, the...
View ArticleClik here to view.
There Will Be Blood (2007, Paul Thomas Anderson)
There Will Be Blood. I don’t know where to start. Daniel Day-Lewis’s performance is biggest thing in the film–it’s the film, after all. Without Day-Lewis, the film’s not possible. Director Anderson...
View ArticleClik here to view.
The Master (2012, Paul Thomas Anderson)
It would be wrong to call The Master a self-indulgent masterpiece, as it’s not a masterpiece (except maybe for Mihai Malaimare Jr.’s photography and Mark Bridges’s costumes… oh, and the sound design)...
View ArticleClik here to view.
No Escape (1994, Martin Campbell)
No Escape opens with this lovely piece of music from composer Graeme Revell. It’s sort of the film’s theme music and it doesn’t fit at all with the action or sci-fi elements integral to the plot. The...
View ArticleClik here to view.
Van Helsing (2004, Stephen Sommers)
I knew Van Helsing was going to be pretty bad… but nothing could prepare me for it. It’s not even bad in an interesting way. Its components are, simply put, terrible. Richard Roxborough’s performance...
View ArticleClik here to view.
F/X2 (1991, Richard Franklin)
F/X2 is very affable. It’s so affable, it encourages one to overlook its major shortcomings. First off, it’s a PG sequel to an R-rated original, which cuts down on the grit (though rated PG-13, the...
View ArticleClik here to view.
Virtuosity (1995, Brett Leonard)
Virtuosity, being from the 1990s, is from the era when both Russell Crowe and Denzel Washington didn’t only appear in films directed by the Brothers Scott and Kelly Lynch was still in movies getting...
View ArticleClik here to view.
G.I. Joe: The Rise of Cobra (2009, Stephen Sommers)
It doesn’t surprise me there are people out there who like G.I. Joe. Not to be negative, but people are, by and large, not very intelligent. What surprises me is anyone who thought they were making a...
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